I've seen the production three times at this point. Each one was good, and I had a uniquely different vantage point for each, sitting under the balcony for one, in the balcony for another, and on the stage for the most recent. Each show has been very crowded as well, with the Playhouse at at least three quarters capacity for each show. This production is very forward audience centered, so you may want to keep that in mind when selecting a seat. The production features one intermission, and keep in mind that Hamlet is Shakespeare's longest play. Also, the actors do not know which production of the play they will be doing until the pre-show, when a coin is flipped to determine whether they will perform the first quarto or the folio of the play. So far I've only seen the first quarto.
Harrell, in the title role, is brilliant and one should not be surprised at that. His sense of when to be funny, when to be snarky, and when to be serious is impeccable. His interactions with Miriam Donald's Ophelia and Blythe Coons' Gertrude, and his barbs at Benjamin Curns' Polonius and James Keegan's Claudius are the highlights of the performance. Harrell gives a definite impassioned performance and all who are fans of his work should see the production multiple times. What you get here is a more introspective, quirky, and mad Hamlet somewhat reminiscent of the character Geoffrey Tennant from Slings and Arrows.
Keegan is by far the best Claudius I have seen. Keegan is a master of this stage, and always seems to set the bar a little higher in every role. My one gripe with the play Hamlet is that most people who play Claudius make him seem far too likable and not easy too hate. I've always thought he was Shakespeare's most likable villain, and not in a love to hate sort of way. Keegan does a good job of making him more subtly evil. He's still a seemingly sober character, but he definitely has the more sinister machinations that are often missing in performances.
Blythe Coons is very impressive as Gertrude. This Gertrude seems to be played more prominently than some I have seen and her influence over Hamlet shows through more in this production. The always impressive Miriam Donald provides a very emotional performance as the innocent but scarred Ophelia. Curns' bloviating Polonius is fantastic and his interaction with the audience is great. You really hate to see the character killed off. He's also terrific as the Gravedigger, complete with a New England/Peter Griffin accent. Greg Phelps skilfully turns in another great performance as the revenge driven but ultimately contrite Laertes. Patrick Midgley is a wonderful, humble, honor-driven Horatio.
As for the music, don't miss "Santa Monica," "Paint it Black," and "The Sounds of Silence."
I'm not going to say which production of Hamlet I liked best because they both have their strengths and are played a bit differently, so it's a bit like comparing apples to oranges. Director Jim Warren does a terrific job with this production, playing to the strengths of Harrell and the rest of his troupe. The strength of Warren and the actors is that they always leave the audience wanting a bit more when it's over. For any fan of the Bard's greatest play make sure you get to Staunton to see this production before it closes in November. For fans of Harrell and/or the ASC, make plans for multiple visits.